Making of Female Finn Viking Dress

In this picture I am wearing the Eura dress, a replica from Luistari cemetery in Eura, grave 56. Jaana Riikonen, an archaeologist, who has done a remarkable amount of research of these costumes, has the opinion that the Finnish dresses were actually much shorter than this one, about halfway to the leg. Leg girdles were used to cover the legs. That made it easier to walk in the snow, for example. The veil that I am wearing is not very typical for this period and place. Women in Viking Age wore a certan headdress called "Arch veil", in Finnish kaarihuntu.

The materials used were wool (overdress, underdress, girdles, apron, headdress, mittens, belts and garters) or nettle or hemp (underdress, a possible under tunic, weft for the bands). Linen that is found from the graves was a luxury import from Europe and rather rare, as is silk. The few finds of luxury cloth we have were mostly found from male graves.

Pieces of costume were grown, spun, dyed, woven and stiched at home. Colorful, tablet-woven patterned bands for final decoration, used for belts and tying up hair, were bought from the local market. Due to the fact that Finns still did weave their fabrics using warp weighted looms, the costumes in Finland had same very interesting details as all Northern clothing in earlier period. These small details that were made during weaving and finishing the piece of cloth, cannot be seen from very far, but are a very important part of the costume.

This picture is from an exhibition in the National Museum, Helsinki. These warp weighted looms had already became old fashioned in Scandinavia at the very same period. Our Scandinavian neighbours began to use the next model, the horizontal looms, in the beginning of the Viking Age. Their costume changed with this.

Some researchers in Finland nominate Viking Age the Younger Iron Age. In the Middle Ages these costumes were still in use in the Middle of Finland and in Carelia. There are no more grave finds from west coast Finland after 1200. I believe that this costume continued to be commonly worn among people living in the countryside through the Middle Ages until the renaissance. The costume was altered a little, though. The decoration changed: spirals became oldfashioned little by little. The jewellery changed: new material and styles came into fashion. It was not so important to walk wearing all your savings anymore.

The exact cut of the underdress is uncertain. There are only small pieces left in the graves. For example in the grave 56 in Luistari cemetery, Eura, only two pieces of underdress textile has survived. We can only assume that the sleeves were very long and narrow, the dress had a straight neckhole, which was not cut into curves and the neckhole was open to rather down to allow easy nursing.

This photo is from an exhibition in the National Museum, Helsinki. It is an upper part of the grave 56 in Luistari, Eura. One textile piece under the shoulder brooch contained fabric selvage. That lead the professors to a conclusion that the neck opening was a straight one, not vertical, but diagonal. If the opening is as long as to the nipples, it is very easy to nurse a baby: open the other shoulder brooch, reveal your shoulder and go. That was a very practical costume to wear.

The other survived piece in Luistari, grave 56 was found inside the armring. This big piece of cloth had no hemmed cuff, so the researchers think that the sleeve was cut to be too long in purpose, about 20 cm longer than normal sleeve length. The sleeve was rather narrow. Narrow but a long one.

These are different spiral decorations, which have been found attached to either cloaks or tunics. The one in the middle left is actually a part of belt decoration. They are found from several graves in Luistari, Eura. Now they stay in the exibition in the National Museum of Helsinki.
There were often spiral ornaments attached, or "fans", spiral corner decorations. These were threaded into bands made by fingerlooping technique. This was a practical way to hide ends of the tablet woven band looms. Rich grave finds dated about 1100-1200 have large finger-looped band gratings with small and fine spiral ornaments.

Mittens

In most of the graves, maybe in every one of them, nålebinded mittens were included. The mittens in this picture are a replica of the mitten leftovers in Luistari, grave 56.  The researchers are discussing the meaning of those mittens. Whether they are symbolic: to be given to the ferryman as a payment when dead and in that case added to the dress as late as during the funeral ceremony; or they were really worn in the cold climate.

Girdles

Nålebinded socks and leather shoes were worn. Girdles were worn when it got really cold. They were about 10-12 centimeter wide, three meter long each. They were tied around the leg with garters woven with tablets.
A girdle that was found from Kaarina, Kirkkomäki, 12th century, was made of woollen lozenze twill with double selvages. It was tied with narrow tablet woven gartes with spiral ornaments in the both ends.

A Viking weaver used warp weighted looms, but these double selvages can be made using modern looms with four heddle rods as well. Teacher Hannele Köngäs invented a technique, where heddles in the left got 16 yarns to the rods 1 and 3 in turn, and heddle rods 2 and 4 are to left empty. heddles in the right side got 16 yarns to the rods 2 and 4 in turn, and heddle rods 1 and 3 are to left empty. Weaving starts from the left, but the 16-yarn selvadge is left always unwoven in the beginning of each level. The shuttle finishes each level normally.

If you cannot weave the fabrics yourself, you could buy the fabric from a store and do either or both the following:
- fold the selvages into double. Stitch them 0,5 cm wide.
- weave a narrow tube band with tablets and attach it to the selvage

You also could:
- fold the selvages into double. Stitch them 0,8 cm wide. Insert a band inside to get a round effect to the selvage.

The end - yarns of fabrics were finished with tablet woven bands, where these end - yarns of fabric were used as a weft, in groups of four. According to Seija Sarkki a typical feature to Finnish tablet woven bands that are woven into the fabric is so called brick wall- outlook. That is made by placing yarn through only two of the four holes of tablet, the opposite ones, look at this picture.

Two tablets in pairs (same position, but yarn goes into from the opposite direction) are common. Both sides of the loom are placed normally from one to four yarns through each four holes. The tablet in outermost side has four yarns in each four holes, which makes the outside of the tablet very beautiful.

This picture of overdress band patterns that are woven into the fabric is copied from unpublished working instruction manual for Eura dress replica (Luistari, grave 56) made by Erja Valtonen. These are my favourite instructions, I like the look of these two bands very much. There are, and were, many other patterns for these brick wall - bands as well.

In this picture you can see the weaving of such band in process. End yarns of the loom are used as a weft, here in groups of four (depends on yarn thickness). The group goes through the loom once, the tablets are turned and the same group comes back again. The tablets are turned and a new group of yarns is used as a weft and to be continued... Notice the beautiful brick wall - structure.

If you want to use this method to a fabric bought from a store, buy 8 cm extra length and take about 4 cm warp apart from both ends. Weave bands to both ends of fabric.

Tablet woven bands that are woven into the fabric were used to fabrics that were cut into pieces, too: tunics, underdresses etc.

In this picture here is a hem of a tunic. Finishing like this is very tough and stays well-looking even after long wear. The brick wall - structure is here again, of course. This is a wrong side of the tunic, and you can easily see small warp leftovers of red tablet woven band. These are cut after finishing the band. Ends of the looms of the tablet woven band were not used into decoration, because spirals were this time considered to be unpractical. Note - weave the bands before cutting the fabric. Choose a pattern for your costume that places both the sleeve hem and the hem of your dress / tunic / other onto the brick wall - finishing band.

Ends of the looms of tablet woven bands were woven into (here four) finger-looped bands. These bands are each woven with 3 loops, since using more loops to create one band would make it too thick to be used in decoration. Pieces of spiral decoration are threaded to those to form a "fan" decoration.

This picture demonstrates the method of making a simple finger-looped band. Make 3 loops from a tightly spun yarn and tie them all together from the bottom. Find a weight, tie it and let it hung towards the floor. It does not need to be a very heavy item, my bigger scissors are in most cases heavy enough. Take one of the loops to the finger of your right hand and two to the fingers of the left. Turn palms of your hands towards your face. Put the loop you have in your right hand through each of the left in turn and switch them from a hand to another. Spread your hands out between switching. When you are using this method to yarn that is attached to fabric, you just tie the upper ends - note that you may have to add some extra yarns to get the right amount of loops.

In this picture there is a replica of a male belt of 10th century from the grave 100 in Luistari graveyard. The book Luistari I - the graves by Lehtosalo-Hilander has many photos of these belts. The diameter of the spiral wire should be somewhat bigger than used in this picture. So far no spirals that could decorate female belts are found from graves.
The size of the spirals varied. In the beginning of the season the diameter of bronze wire was as much as 1,5 mm, or more in male spiral belts, and the diameter of the tube made from the wire could be 5 mm.

This male cloak replica is from Luistari, grave 358, 10th century. The diameter of the wire is about 0,5 mm.

Thinner wire got more fashionable within time. During the 12th century the fashion in female costuming changed. Spiral diameter was smaller than in earlier centuries, because of the new fashion and a new outlook: lightweight silver jewellery. The ornaments attached to cloak in Masku dress replica (from about 1100) were only about 1,5 cm by diameter.

Spirals were made into tubes, which were cut into different lengths. The wire used at that time was a mixture of bronze and brass, mostly brass. Typical for the spiral fashion of the Viking Age is that the tubes were opened every 5 mm length. When they are placed in angles, the openings will meet and form crosses, where the red yarn can be seen. The small spiral loops in the ends are for turning when the ornament is made, and also for stitching the ornament into the fabric when finished.

The right down corner of an 11th century apron replica. Down is the brick wall - decorated tablet woven band that is woven into the fabric. In the side there is a variation of double selvage, a hollow plain weave selvage. It was a version designed by 20th century researchers. The corner "fan" decoration of that century has two layers in the top; which is not the simplest form of "fan" that appears in the graves. The apron is outlined with pieces of spiral tube. Spiral ornaments are attached to the apron, which is very typical to 10th and 11th centuries. Women collected ornaments using spiral tubes, which they attached to aprons. These ornaments in the picture attached are about 5 cm by diameter, and the diameter of the spiral tubes is about 3 mm. They should have been made from a 1 mm bronze wire, but this is thinner. During 9th century the decoration of an apron was rather simple; the only spirals were these "fans" in apron corners. During 10th century an outlining with pieces of spiral tube was added. During the 11th century spiral ornaments were attached to the apron as well.

The degree of complexity of the "fan" decoration increased during the centuries. This picture is published in Euran esihistoria, written by Lehtosalo-Hilander, p. 241, drawing by Rauno Hilander. (an English summary of this book is available in Eura museum, Naurava Lohikäärme). In the beginning of the 9th century, when this model first appeared to the apron, the "fan" was simple, but became larger and more complex until the end of the 11th century.
All apron corners had at least "fans" as a decoration (at least if the woman was a wealthy one). Finns did not bother to waste material putting expensive spirals into places where they were not seen. So, overdress was made with double selvage and attached tablet woven bands, just like an apron, but lacking spiral "fans". The "fan" was a speciality of an apron and a cloak.

The wrong side of an apron. You can see the long stitches attaching the spiral ornaments. You can hardly see the warp leftovers of a green tablet woven band. They are cut after finishing the band, but they could also left uncut as fringes. According to Tyyni Vahter (a former researcher of the difference of spiral decoration in different parts of Finland) the women in Finland liked to build their spiral ornaments with red yarn dyed with madder. The yarn used to collect an ornament from spirals was very thin, since it was not used as such, but made into finger-looped bands.